The goal of GRD201 is to tap Leffel's and the other colorist's years of experience from both a creative standpoint as well as a practical standpoint. He'll be helped along the way with some of his friends who are some of the top colorists based in the United States. The lead prof who has helped develop the course is Chicago-based Craig Leffel, who has over 20 years of experience grading the top commercials finished in the city.
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Photoshop Tutorials On How To Create Professional Looking Photos And Images.Building upon our successful Craft of Editing series, The Craft of Color Grading looks to explore the world of the colorist and the craft of grading from an application-agnostic approach as much as possible.FXPHD - GRD201: The Craft of Color Grading.In part B, Craig sits down and answers student Give their insights gleaned over years of working in pressureĬlass 8: Craig is back to work on a grade with less than perfect sourceįootage, how to deal with issues of unknown formats and keeping an eyeĬlass 9: A continuation of class 08, and Craig reviews the challenge submissions.Ĭlass 10: In part A Craig shows his approach to grading the New Zealandįootage and beauty work. Editor Liz Tate and Craig Leffel sit down to The process is managing the various personalities, desires, and And one of the most difficult things for artists new to Is that someone else will also be involved in the creative decision Take a single sequence and grade it a variety of ways, lending hisĬlass 6: Guest prof Stu Maschwitz examines storytelling and the craft of grading from the perspective of the indy filmmaker.Ĭlass 7: The Politics of Grading: The reality of being paid to do work Minority Report, Saving Private Ryan, and City of God.
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Processes such as bleach bypass and cross processing.Ĭlass 5: Movie references. Optimus colorist Tyler Roth will grade some scenesįrom Moving Day, attempting to re-create Technicolor looks as well as Others use film references to explain their vision, so this background Film might be hanging on for dear life, but clients and Other techniques — and the reasons and his thoughts behind doing them.Ĭlass 4: Old School Tech: We dive into learning about film stocks andįilm processing. Get your base imagery correct and sequenceĬlass 3: Finalizing the Moving Day grade. Starting workflow which can then be built upon.Ĭlass 2: Continuing the Moving Day grade. An intro to Craig Leffel’s background andĪpproach to the craft of grading. Other projects and critically breaking them down and speaking about whyĬlass 1: Solid foundations. Sharing some of their favorite grades they’ve seen from movies and Viewpoints of dealing with divergent views from clients. So we’ll not only be covering how to make beautiful imagery,īut also things such as how to deal with the often-conflicting The goal of GRD201 is to tap Leffel’s and the other colorist’s years ofĮxperience from both a creative standpoint as well as a practical He’ll be helped along the way with some of hisįriends who are some of the top colorists based in the United States. Leffel, who has over 20 years of experience grading the top commercialsįinished in the city. Lead prof who has helped develop the course is Chicago-based Craig Grading from an application-agnostic approach as much as possible. Grading looks to explore the world of the colorist and the craft of FXPHD – GRD201 : The Craft of Color Gradingīuilding upon our successful Craft of Editing series, The Craft of Color
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